Garnett Elliott writes some hard hitting emotional fiction with a deceptively simple style of writing. This interview is an especially interesting one for me as it has made me think about one of my favourite novels in a different light. I hope you enjoy this as much as I did.
Q. I’ve read at least five books that you’ve featured in. One of those is BEAT to a Pulp: Hardboiled which is probably my favourite short story anthology. I love the deceptive simplicity of noir stories and particularly love them hardboiled. What drew you to writing this kind of story?
A. Beat to a Pulp: Hardboiled kicked six kinds of ass. Glenn Gray and Kent Gowran had some particularly nasty stories in it, as I recall . . .
There’s something about the language of the hardboiled/noir story that first hooked me in my teens. I had been reading William Gibson’s landmark sci-fi novel Nueromancer, which was chock-full of innovative ideas, but the way he told it; the pacing, the dialogue, the action, really haunted me. I didn’t know why. Then my uncle read it. “It’s a heist story,” he told me, “and it’s written in the old hardboiled style.”
Q. Before I started writing these questions I did a little search engine stalking. You have a pretty small online footprint. Is this a deliberate persona thing or are you naturally disinclined to broadcast about yourself?
A. I’m a low, low, low profile kind of guy. One of the (polite) things my co-workers call me is “treetop flyer.” This is both deliberate because of the nature of my work and the result of natural inclination. And yes, I know it’s the Kiss of Death in today’s publishing industry.
I don’t have a normal job. I’ll leave it at that. And I learned early on I did not want to call undue attention to myself. I do not excel in politics. The concept of self-promotion beyond, say, trying to do a good job, is alien to me. It’s something I struggle with.
Q. Where do you see pulp fiction in five years time?
A. Not sure where it will go, but I’ve noticed a general trend of ‘pulp’ getting more (some would argue incorrect) usage among fiction writers. People who used to tag themselves as ‘noir’ writers now say ‘pulp.’ I’ve got no beef with this. I’d love to see both classic reprints and new venues (like David Cranmer’s Beat to a Pulp line) exploding all over the net.
Q. Time some a shameless plug. What writing do you having coming out this year and why should we buy them?
A. I’ve got a story coming out soon in the professional fantasy magazine Beneath Ceaseless Skies, and it won’t cost you a dime. Beyond that, I’m working on the fourth (maybe fifth? I’m not sure where it fits in the arc) entry in the Drifter Detective series. You should buy it because, like the aforementioned Beat to a Pulp: Hardboiled, it’s going to kick six kinds of ass.
See? I’m not so good at the self-promotion thing.
Q. What fictional detective would you like to be and why?
A. Columbo. Hands down. I know he’s more ‘TV’ than ‘literary,’ but still, he’s my hero. He’s got more than he shows, and those asshole, country-club bad guys don’t see it coming until he lays into them with their own mistakes. Plus, I’d get to live in early 70’s LA and hang out at NBC studios. And smoke cigars whenever I want.
Q. If you were stuck on a desert island with only five books to read which ones would you choose and why?
A. Well, that would certainly suck, wouldn’t it? Only five books to read sounds like a personal hell. I’d go for quantity, say ‘The Complete Works’ of HP Lovecraft and Clark Ashton Smith, because they’d take a long time to read. Probably a “Best of” compilation of Jack Vance, for both the length reason and because I never get tired of that man. But the other two . . . All Shot Up by Chester Himes? An early Hap and Leonard Pine novel? Miami Blues? The whole concept is too Sophie’s Choice for me.