Image from Matt Garvey’s website go check it out (source page linked on image).
Before you read this take another look at that cover. Really look at it. I can’t articulate just how much I liked this cover. I’ve always loved it when I’m taken out of the narrative in a an interesting way. This may not sound sane but there is a subtlety to the brash and obvious way the author subverts and older style of cover art. The first time I read the cover I missed a good portion of what was going on. Take another look, you know you want to. There was something rather pleasing about the clarity of this cover, like the slap in the face I get when reading hard-boiled noir.
Inside the drawing style continued to describe a vigilante helps cops story. Taking a lead from this publication I’m going to break out of my review to talk about buying it. I visited MCM Comicon in London last Friday. Probably my favourite bit was wandering around the authors section. There was something fascinating about standing in front of a writer you’ve never heard of and them telling you about their labours of love and why you should buy them. In nearly every case I bought something but this was always going to be the one I read first.
…anyway, Garvey really does bang out the secret identity of the main character and a large part of their backstory in a remarkably short space. I loved that. It worked. I need to read the second one to see if the great pace continues. This was well worth a read.
At just over ten pages that is a short, sharp shock. Ideal for a chilled out lunch break.
Reviewing anything this short is difficult without spoilers or getting more technical than I’m capable of doing. It is a pretty standard noir short story, hard-boiled in more than one sense. That said it does mess with you a bit. Accents and appearances that jar against the” norms” make you think about your own inbuilt prejudices.
I know this is a lead in story for Drag Noir by Fox Spirit Books so if you enjoy this I heartily recommend checking them out.
I enjoyed this story as I do most by Wynd but I wanted more.
The seventh book in the Drifter Detective series sees Jack Laramie wandering in to yet another new town. This story felt different from some of the other Drifter books. It felt like Laramie was going to settle down and this was going finish the series with a nice and neat ending. I was wrong. Fans of clean endings may find this one frustrating. I really liked the ending or as some may have thought the lack of one. For me the entire series has been about Laramie never really getting closure for his issues and that was emphasized nicely in this story.
In this story Laramie finds himself embroiled in a long running bitter feud that could not have ended well for anybody. As usual the gains from this adventure are at best minimal and Laramie continues his hand-to-mouth tour of America with redemption still beyond the horizon.
I enjoyed this book but I have to admit that I preferred the bonus story at the end. Missing was a Cash Laramie and Gideon Miles story set in The Old West. I’ve been a fan of these characters for a while and it wasn’t a surprise that I enjoyed it. My one criticism was that having sat with my thumbs on the triggers I had trouble understanding how anybody could describe the Maxim as a large pistol. For me it has always been a weapon apart. That said the use of the gun in the story worked really well and was an interesting way to show that time of the gunslinger was at risk from modern weaponry.
The cover just about summed up this book for me. From the misanthropes to the degenerates there was a theme of self abuse particularly substance abuse. When it comes to Brit Grit and hard-boiled noir I can think of few authors I have enjoyed more than Brazill.
Every character seemed not only real but like somebody I knew and could relate to. The real genius for me was how the author managed this with a cursory description and a killer one liner. I have considered writing down a list of Brazill’s genius quips as his books are worth reading just for those.
I have been used to most of the authors noir being set in his fictional Seatown but the first story starts with some ex-pats (or immigrants as we’d call them over here) on the continent. I found this setting to be an interesting change of pace and something I’d like to read more about. I was however most eager to get back to Seatown. For me Seatown sounded like Jaywick Sands but in the north east but I’m fairly sure the way these stories were written will mean it sounded like a different town to each reader.
I have deleted about fifteen drafts of this paragraph. It was supposed to be a brief description of the stories. Every time I tried to describe them I made the stories seem rubbish. So much of this book happens inside the readers head that I don’t think I’ll ever be able to do it justice without rambling. Suffice to say that I really enjoyed it and will be nudging Brazill to ask if there are any more stories set in Spain coming out soon.
I bought this anthology on the recommendation of one of the authors. Graham Wynd knows my tastes and was pretty sure I would enjoy this. Wynd was not wrong.
This book contained stories set on both sides of the big pond and one that spanned it. I found it fascinating that although the locations and language changed throughout the book the essential grime and nastiness was pervasive throughout this tome. There was a fascinating quality of mutually assured destruction that I found quite intoxicating.
These stories were short and sharp pokes at the underbelly of society. Each poke releasing a festering boil of what passes for humanity on this rock. My tone may well be reflecting the way these stories influenced my mood. This was not a happy read. The chuckles I got were wry ones.Such as Graham Wynd’s diner scene or my personal favourite line from Alan Griffiths “A smile as genuine as a politician’s expenses claim…”
For me there was a good standard of story through this anthology but the final two stories by Alan Griffiths and Keith Nixon finished things with such aplomb that I almost forgot about the half a dozen or so niggling misses by the proof reader that could have spoiled things a little for me. That is about the only negative I’ll say about this book. I found this to be a punchy and well paced dive to the bottom of our societies. It was well worth a read and I’ll be looking out for more by the publisher (I haven’t read their first anthology yet so I might grab that for a start).
This was a very short title. One of the problems I have found with short serialized fiction that has decent cover art is that I expect something longer. This title made it a lot cleared than some that it was twenty pages long.
Kate Laity writes in several different genres and styles and I had forgotten how much I like her style of noir. This book was definitely hard-boiled but not quite as expected (which should be expected from Laity). I loved the simplicity and pace of this story. This was one of those books that somehow managed to convey a lot more story than possible for such a short story. I loved that. My brain seamlessly knew what Laity was trying to show without any long wordy descriptions.
Laity has produced a fun and interesting supernatural tale that works perfectly as hard-boiled noir. I’ll be grabbing the next installment soon.
I Don’t usually review films and this is my first Netflix review. I had been looking forward to this for a while. I really enjoyed how gritty Daredevil was and had extremely high hopes for this series. It was not what I expected. I’ve seen many attempts to capture a noir feel on screen fail miserably. Krysten Ritter manages to make everything seem so natural in a way that fit perfectly. It didn’t feel like anybody was forcing a 1930s feel it felt much more like how things should have evolved.
The very best thing about the series is David Tenant as The Purple Man. I was worried that he might come across as a bit too cheesy for the dark feel I was hoping for. I was utterly wrong. It was a masterful performance that added extra layers of darkness I hadn’t expected. The attention to detail was great. Jessica Jones drinks a lot of whisky throughout the series. I challenge you to count how many different brands she drinks.
Ritter and Tenant were the clear stars but the support cast worked really well. I enjoyed how Rosario Dawson’s Claire Temple linked Jessica Jones to Daredevil and how Mike Colter’s Luke Cage was a numb as I’d hoped he’d be.
I watched the final six episodes of this series straight through. I’ve gone back and watched the final episode again and the pivotal moment between Jessica and Kilgrave not only still surprised me but lost none of the impact. It was the kind of ending that I wanted to see. Whether you are a Marvel fan or a crime noir fan this series is a much view. I’m struggling to find anything about it I didn’t like.